An interview I did whilst I was in India. I talk about spirituality, my path as a priestess, views on the Indian diaspora and their links back to India – along with my PhD research on the Indian Parliament. Thought some of you might find it of interest.
There’s been a lot of discussions, media coverage and political controversy surrounding the ban of the documentary known as India’s Daughter. Indian feminists have raised a slew of issues with the film, some of which I fully empathize with. However, despite the ban, the film was tweeted over 40,000 times on Youtube – before it was taken down.
You know I tend not to get into political discussions much, but this relates to what I spent 5 years of my doing intensely focused on. Whilst I see so many sides to the debate and argument, as one who knows the context well – I see a few issues that are being completely missed. So, speak up, I must.
Bear in mind that these comments are not coming from someone who stands for values that objectify women, but rather a scholar of the Indian parliamentary system and the way it handles gendered issues….
(1) There is a real constitutional-legal argument which has led to the ban. The decision itself has been heavily politicized by way of interpretation. Here’s the rationale: The verdict has yet to be delivered by the Supreme Court, and so … taking the accused’s testimony in any form raises questions of validity. It has to do with the due procedure of the Indian legal system, and frankly — I understand why. There are those in the Supreme Court who do not agree and want the documentary to be legally released in the interests of the public – but the legal pickle remains. Moreover, the conditions of the interview required Tihar jail (where the accused was detained) to approve the use of the interview material. It was not approved. They wanted the accused’s interview to be deleted, and so the documentary was circulated in a breach of agreement.
(2) Nevertheless, a discussion has been raised in the Parliamentary Chambers (which, in some sense is India’s ‘national theatre’ or ‘national spectacle – focus of my doctorate) — so anyone who hasn’t heard of it in India, will! Rolling 24-7 media channels broadcast, and re-broadcast, and then broadcast some more … the sound-bytes and excerpts of Parliamentary speeches seen to be especially sensational. Discussion on the legality of banning/airing the documentary is no exception.
(3) Political leaders, from socially conservative parties, have begun speaking of how ‘consent’ can never be taken away from a woman, no matter what she’s wearing. Considering parliamentary discourse in 1996, on the subject of women and their political rights .. the statements issued by conservative members of parliament are … in comparison … extraordinary…. Back then (and this actually happened), MPs actually laughed during speeches that spoke of the plight of women who were raped. 2 lone MPs (out of the chamber that can hold over 500 +) walked out in protest. So for them to be speaking of ‘consent’ and how it cannot be taken away from a woman ‘no matter what she is wearing’ … is a tremendous indicator of how attitudes towards sexual violence have shifted.
That alone is enough grist for the rolling 24-7 media stations to run with. Whether these leaders believe what they’re saying is a different question, but it reflects changes in party attitudes and the perceptions of their electorate. …
In some ways, the ban has actually raised the visibility of the documentary, and, due to the way the media, political parties, parliamentarians create the news cycle in their own ritualistic dance … India’s Daughter will continue to dominate the headlines and public debate.
OH MY GOD. I am published! Well, at least an article of mine is. A follow-up piece from my thesis. I am a contributor to an academic book called Democracy in Practice. Mine’s Chapter 7, entitled ‘The Indian Parliament: Performing Decline since the 1960s’. And oh my goodness – I’m so chuffed they got my name right! 😀 😀 😀
I’m in shock, talking to my brother on skype, but still in shock to actually see it printed, at least in the table of contents. Still haven’t seen the printed volume yet.
A good kind of shock to which my response is deep gratitude to the Divine and all things which made this first academic publication possible.
For those wanting a summary of this article: The Indian Parliament: Performing Decline since the 1960s (Chapter 7) – This is my first full-length academic publication, as part of ‘Democracy in Practice’, edited by Professor Shirin M. Rai and Dr. Rachel Johnson. In this chapter, I speak about the historical changes that have marked an evolution in the form, function and significance of parliamentary performances in the Indian context. Ultimately I question the applicability of the ‘decline hypothesis’ to the Indian legislature, using a multi-disciplinary analytical framework centered around the construct of ‘performance’.